Sunday, September 16, 2007

Coffee Talk


After finishing the Rowan Scarborough book, Sabotoge : America's Enemies Within the CIA, I thought we would end Summer and start up the Coffee Talk with the ideas and evidence based within this book.

As a quick summary, Rowan Scarborough uses 216 pages to lay out his evidence from investigative journalism to prove that members and former members of the CIA are involved in partisan politics and are using classified information to discredit and attack the White House Administration through leaks to the mainstream media outlets. Also included, are attacks on key Administration officials by Democrats to discredit their roles in an effort (mostly successful in my opinion) to oust those officials from office.

To go into more detail, we'll start where the book starts...with Congressman Pete Hoekstra's "secret" letter to President Bush on May 18, 2006 concerning the nominee of Steve Kappes as Deputy Director of the CIA. (Ironically, I was able to find a copy of the actual letter on the internet that was released by the New York Times in an effort to show that Pete Hoekstra was concerned about the Administration withholding key information in their inquiries with the House and Senate Intelligence Committees with Hoekstra is a part of.) Here is the letter from the NYT article and website.

Although the letter shows concern on multiple areas, the book focuses on the statement in the letter "I have been long concerned that a strong and well-positioned group within the Agency intentionally under-minded the Administration and its policies." On the 3rd page of the book Scarborough has another quote from this time Pat Roberts of the Senate Intelligence Committee remarking, "What concerns me most...is what appears to be a campaign of press leaks by the CIA in an effort to discredit the President."

Added to the CIA leaks to attack the President and the Administration were former Senior Analyst at the CIA, Ray McGovern, and CIA analyst Bill Christison who have both helped the 9/11 Truth Movement and helped propel the conspiracy theories that a missile hit the Pentagon and that 9/11 was an inside job with their founding of the Veteran Intelligence Professionals for Sanity organization. (Just type any of the three names and hundreds to thousands of articles will come up mostly from Counterpunch.org, Moveon.org, and numerous mainstream media articles they they have written and been "counter-terrorist analysts."

Then the last main players in the book are the media giants of the New York Times and Washington Post who have been publishing the damaging leaks and have helped shape the minds of Americans and foreigners alike. Some of the leaks mentioned were of reproduced parts of the National Intelligence Estimate, but only of the most negative assessments to the war according to Scarborough. (here's a list from the White House of NYT articles that they are refuting) Then the Washington Post revealed secret holding cells in Europe and elsewhere for captured al Qaeda leaders which embarrassed the Administration w/ supporting countries in the war on terror. One of the CIA sources was a Democratic John Kerry supporter, Mary McCarthy according the book.

The biggest leak was when the NYT disclosed a top secret program of instantaneous eavesdropping on suspected terrorists who were calling people withing the United States. Here's the article. Not only was this an embarrisment which Bush had to have a press conference about 3 days later, but it keyed al Qaeda into our method of NSA surveillance to track and key in on them. According to Scarborough, Hoekstra told him that al Qaeda then changed all of their communications methods to reach people within the US and it has made intercepting calls much more difficult. As a side note, in the book Scarborough quotes General Michael Hayden, who ran the NSA in 2001 as saying, "Had this program been in effect prior to 9/11, it is my professional judgement that we would have detected some of the 9/11 al Qaeda operatives in the United States, and we would have identified them as such."

This was all laid out in the first 7 pages of the book. From there he talks about how the Clinton Administration had eroded the CIA during the military cuts for 8 years in which the CIA lost at least 30% of its analytical and operating branches in Latin America and Asia. Indonesia had only 3 CIA officers by the mid 1990's (largest Muslim country). He also required the CIA to not deal with unsavory characters for sources which eliminates most of the good intelligence for terrorist organizations. Clinton also virtually stopped new recruiting by the mid-1990's, and you can see what a dire situation it is now when the CIA has commercials to recruit people on TV (as a friend pointed out while discussing this a couple days ago). Scarborough reported that if the CIA wanted good HUMINT (human intelligence) to get info from Iraq, it needed to develop those sources 20 to 30 years ago. Scarborough claims that the CIA had been in retreat since 1975, when Senator Frank Church's committee on intelligence exposed CIA misdeeds and made it difficult for the agency to recruit new agents. Instead, the CIA and intellligence community had to rely on defectors and sources that would lie for money or security. (See any intelligence report and you'll see the kind of people that were our sources) Phase II of the Select Committee on Intelligence discussing WMD Programs or Information used from the Iraqi National Congress

To top everything off, (and in my opinion is the most telling of the Democratic attacks on the Administration) the committee that was assembled to inquire into 9/11 and the War in Iraq, of which I put copies of Phase II reports above and Phase I below, were engaged in a partisan battle started by the Democrats and an internal memo that basically states that they would try to "castigate the majority for seeking to limit the scope of the inquiry", leak promising leads to the media, and then whatever the committee finds, demand another investigation into the same matters by an independent body - and do it on a schedule that coincides with the election. Here are two congressional records discussing this. Nov 5, 2003 w/ details of the memo Nov. 7, 2003 discussion continued

So not only does he paint a picture that parts of the CIA are leaking information to discredit the Administration, but they could not even perform their duty of providing national security intelligence to senior US policymakers. (See Mission on the sidebar of the CIA's website) Scarborough throughout the book goes into detail on how key CIA leaks and misinformation that were either incorrect, ficticious, or otherwise have damaged the Administration. Here is a list topics which I may go into in more detail at a future time...

CIA shortfalls
Defense Department and Rumsfeld needing to create intelligence divisions w/in the Army
Ahmed Chalabi and the INC
Pres. Bush State of the Union address and the Africa/uranium reference
John Bolton, his Heritage Foundation speech and his WMD speech
Donald Rumsfeld and Gen. John Keane
Paul Pillar's speeches and book Terrorism and US Foreign Policy
Tyler Drumheller, his no WMD claim, and Curveball
Valerie Plame and Joe Wilson w/ Niger - Iraq connection
Patrick Fitzgerald investigation of of Niger-Iraq connection
Richard Armitage as source
Iran and lack of intelligence

With the apparent attack against the White House, George W. Bush and his Administration by members of the Democratic party and their supporters, how do you think the media has impacted your view of the US government in general and the current President in particular?

How has the emergence of the Internet and blogs like this one coupled with the rise of conspiracy theories relating to the media press releases, CIA leaks and anti-war advocates affected your opinion of the US government, the President and the War on Terror?

How has this posting affected your view of the media, the Democrats, and internet based articles?

Talk amongst yourselves.

Saturday, September 15, 2007

The Watch List

Listening:
1. The Pathways - Brooklyn, NY is home to the aggressive young band. The released the second LP, "Gray Blaze" way back in February on Asaurus Records. Listen to: Last Buffalo (mp3) and Red Bed (mp3)
2. The Gaslamp Killer - L.A. brings the downtempo beats in the form of GLK. You can currently purchase a 75 minute instrumental mix directly from his myspace page for $10. Listen to: The Gaslamp Killer Megamix (mp3)
3. Dragons of Zynth - This bands debut album "Coronation Theives" will be released by Gigantic Records on October 2nd. They have opened for and recorded with TV on the Radio, and the also have received some help from Massive Attack. So if you can imagine the blending of those two bands you can image the sound of DOZ. Listen to: Get Off (Live on Daytrotter) (mp3)

Reading:
1. "Summer Window Story" by Ling Ma: This story is currently up at THE2NDHAND, and it is from the Mixtape Series. This one is based on "What You Want" by My Bloody Valentine.
2. "Insomnia Door" by Blake Butler: This is from the latest issue of Diagram. I love Blake's lists.
3. The inaugural issue of mid)rib: This is a very high-tech, well put together lit journal featuring Tomas S. Butkus, Joel Chace,ReginaDerieva, Anna Fulford, H.T. Harrison, Scott Hartwich, Beth Joselow,Kerry Shawn Keys, Amy King, Sarah Maclay, Nicholas Messenger, BonnieJean Michalski, Matt Reiter, Susan M. Schultz, Lauren GoodwinSlaughter, Ted Stimpfle and Jim Warner. You are off to a great start mid)rib!
4. "The Vegan Muffin" by Tao Lin


Wishing:
1. QFO - Hybrid Turntable Mixer w/ Concorde Kit - Ever since I saw Craze & Klever at Lollapalooza I have been wishing for one of these. $1,199
2. Allison's Cookies - Tao Lin's story made we wish I had some vegan cookies. There is no better vegan cookies then those of Allison's Gourmet. $22.95/dozen
3. Art Dorks T-Shirt - Because their is a little Art Dork in all of us. $18

Getting:
1. Manual Dexerity Summer 2007 Issue - This was one of my favorite zones of the summer, I can't be I did post this one sooner. Better late then never!
2. Great Lake Swimmer - Live from Church of the Redeemer - GLS is giving the ep away for free, it features backing vocals from the lovlt Ms. Basis Bulat. (Zip file)


Watching:
1. The National "Apartment Story" - This new video just premired this week over at Spinner.
2. Hey Ladies Night - Dj BC (video by DJ Cougar )
3. Beat Battle 4 - featuring Copperpot, Meaty Ogre, and Kenny Keys


Saturday Morning Cartoon

This morning, while I enjoy a continential breakfast in the Wisconsin Dells, please watch this incredible animated video from Mum while you have your bowl of Dunkin' Doughnut's Cereal.

"They Made Frogs Smoke Til They Exploded"


Friday, September 14, 2007

Band of the Week


Copperpot
Everyone has had to read aloud in class or give a presentation to the board or give a mandatory speech. Many people dread those moments in life, and try to avoid the limelight as much as possible. As Chicagoan Daniel Kuypers (aka Copperpot) takes the stages all of these memories are filling his head and his stomach, but as soon as that needle drops all is well. The beats take over and Copperpot is aloud to focus on the records and not the crowd.

A fixture in the Chicago underground scene, Copperpot, released his second LP "WYLA?" last month through the label he manages, EV Productions. The album features KRS-One, Braintax, Masta Ace and some of the finest Chicago talent and is a great representation of what an EV album might sound like. Whether it is the latest from Earmint or a classic jam from Modill or a track from Coppershot (Copperpot with emcee Longshot) EV is one of the best hip hop labels in Chicago.

Recently, Copperpot took some time out to answer a few of our questions on his anxiety, his label, and his music.

Orange Alert (OA): What is the story behind the name Copperpot?
Daniel Kuypers (DK): The name Copperpot come from the movie ‘The Goonies’ (the last good thing Steven Spielberg did, the monger). There was a character in the movie, a dead explorer of hidden treasures, named Chester Copperpot. CC died searching for lost treasure. I chose to pilfer this moniker from the aforementioned monger because I believe it is the search that is important, not only achieving the ends.

OA: Where do you start when creating a beat? What is your favorite piece of equipment?
DK: I start in my head I suppose, right when I hear the piece of music or sound I want to sample, I start creating the song in my all powerful brain. My favorite piece of equipment… probably something I do not have. I would love to have an Avalon dual channel compressor, k-kruz has one. The jerk.

OA: Do you view hip-hop and the music industry in a different light now that you run the label EV Productions? What is your opinion of the current state of hip-hop? Mainstream vs Indie?
A different light?
DK: I view the industry as having no light. I love music and musicians. But running the business aspect of it can suck the life out of you. selling art I think, especially art that you have a vested emotional interest in can be a tough thing. You have to just push through it I suppose, possibly try and create somewhat of a detachment.

Most of the people I do business with are great, I get along with them famously, there are just a few that can spoil the whole party for everyone.

I dunno if I want to touch the current state of hip hop query. I suppose it is as it ever was, more of a cultural thing to me than a genre of music, or a classification. In that sense, it is doing lovely I believe, people are exploring different cultures and meeting new people, having fun at shows, opening their eyes to the world. That is what hip hop culture is built to do, in my opinion. As far as ‘mainstream’ v ‘indie’ I think there is good music in both areas and bad music in both areas, only difference is the amount of money in ‘mainstream’.

OA: In a recent post to your myspace blog, you talked about file sharing. Can you talk about how it has affected you as a musician, a producer, and a label head?
DK: As a musician I don’t make as much money so I can’t eat as much. As a producer I don’t make as much money so I can’t eat as much. As a label head I don’t make as much money so me and the other 10 artists on my label don’t eat as much.

Look, I understand the argument that it helps promote to people that would never have known about the new Copperpot record, or Earmint record, however; I have a promotional budget, as a record label I spend loads of money promoting. People have the opportunity to hear and read about all my artists, the problem is that it is so easy to just download a p2p client, go on there and search for music, and steal it. it is so easy to go in the blog world and find sites that offer the entire album for free, before the release date. My whole thing is this, I will give you free music, I will make tracks available for free download, and I do. But, if you want the artists to have the ability to make more music, the artist needs to be supported. Making a good record takes a lot of time, and money, studio costs, art, ect… if an artist (or label head) has to work at ups 10 hours a day to pay rent and eat, where does the money for making music come from? That’s it, on to greener pastures.

OA: You have always been open about your fear of performing in public, and I am sure there are many people out there who can relate. Will this affect any touring possibilities? Do you have any tour dates set besides your monthly gig in Soho?
DK: Uh, tour? no thank you. I am taking a hiatus from the Soho gig as well. Hopefully I will start it up again soon, but rigt now I am concentrating on getting K-kruz’ solo record prepared for release as well as Longshot’s next solo record.

OA: When you are performing do you use vinyl or have you gone digital?
DK: Vinyl.

OA: What's next for Copperpot?
DK: I am working on a new album, its going to be different than my last of course. It is tentatively called: “Who are you?” I will probably release a slew of instrumental albums in the next year as well, available only digitally, some of them for free. We’ll see, like I said, I am concentrating on Kruz and Shot.

Bonus Questions:
OA: Coffee? If yes, what is your favorite type of coffee and where is your favorite coffee spot?
DK: I have never even had a sip of coffee. No McDonalds either. or KFC. Too many good mom and pop joints in this city. I would much rather give them my money, and eat their food.

OA: How many albums (vinyl) do you own? Estimate if necessary.
DK: Hmmm. About 5,000.

WYLA?
Come Back Home feat. KRS One (MP3)/Let It Go feat. Truth Enola (MP3)/Demo feat. Braintax (MP3)/I Am A Banana/I Put A What feat. Valeska Jakobiwicz/Art of Rap feat. Masta Ace & EdoG and members of Tortoise/Dem Know feat. KRS One/Water The Manatee/WYLA? feat. Prince Po/Blow feat. Psalm One/Dem Know (Club Mix) feat. KRS One and members of Tortoise/Do You Really?/Modern Vampires feat. Rodney P/Clowning Arounding feat. The Time Bandits


For more information on Copperpot visit his website. To learn more about the artist ar EV Productions visit their website, and to order you copy of WYLA? go here.

Thursday, September 13, 2007

Writer's Corner

Aleathia Drehmer

Before this week I did not fully understand the phrase 'Outsider Writer'. I tried to relate it to indie rock or underground hip-hop, something outside of the mainstream or below big business. I thought that this phrase would apply to writer's who were producing quality worker, but not seeking the acceptance of popular culture. This all might be true, but New York writer Aleathia Drehmer has shown me a completely different way to look at the phrase. For Aleathia it is more about perspective and observation.

The outsider can view the world in a very interesting way. He/She can take a step back and view the entire thing or zoom in on the tiniest shadow in the corner of an empty room. It is through their observations that the writer is able to create elaborate stories, or delicate pieces of poetry. Aleathia enjoys focusing on those overlooked details, extracting its essence, and preserving it for a the viewer.

Recently, Aleathia took some time to answer a few of our questions.

Orange Alert (OA): This year has been very productive for you having appeared in quite a few publications. How long had you been submitting your work before your first publication in Zygote in My Coffee? Roughly, how many poems do you write in week?
Aleathia Drehemer (AD): I started submitting work in earnest in July 2006 and had nothing but rejections. I must say that I was getting discouraged. I had really just gotten back into writing after several dry years after the birth of my child. So, I think my work wasn’t very good. At the time that Zygote in My Coffee took my first published poems, I had been exploring a new side of myself and writing about a darker time in my life. Brian really took a chance on me, and I will be forever grateful. I was first published in September 2006, and it has been gangbusters since. On average, I would say I write 2-3 poems a week, but I can’t say for sure because I don’t date them.

OA: Your peak creative hours are between 11pm and 3am, what is it about this time that inspires you? What inspires you in general?
AD: The elusive peak hours of 11pm to 3am are a dreaded curse really. I work the night shift as a nurse so I am always up at these times. I cannot sleep like a normal human being anymore. I am unsure exactly why these times are so lucrative for me as far as creativity. I think my house gets quiet after everyone goes to sleep, and I just put the tunes on and have the night air coming in the windows. I think the stillness of these hours is inspiring. I like the world at rest. What inspires me the most in the world are the things that people don’t readily notice. I find beauty and words in the shape of a man’s neck, the way water hits leaves, the smell of a storm, insects doing what they do, and anything that flies under the radar. I like watching people move about in daily life, and setting myself outside of it all.

OA: I've read that you have an energetic young daughter. Having several of those myself, I have found reading poetry to them can occasionally calm them down. Do you ever read poetry to your daughter? If so, what poets are preferred?
AD: Sometimes I read poems to my daughter, but she is still only five years old and doesn’t get into them too much. She likes my poems and I read her Mary Oliver and Robert Frost mostly. If truth be told, we read “Junie B. Jones” like it is going out of style.

OA: When I received the your RMP mini-mailer back in June, I was pleased to find a mini disc in there with your reading of "Rosewater". Do you ever perform public readings? Have you consider the idea of recording an album instead of or in addition to releasing a chapbook?
AD: Before doing the recording for the mailer .2 at Rural Messengers Press, I had read in public maybe three times. Two of those times, I had won a poetry contest at college and felt obligated to read. I am a whiz in front of the computer microphone, but in person I tend to get very nervous. Recently, Paul Corman Roberts of Cherry Bleeds invited me to participate in a reading that is going on in San Francisco in November.
I actually had not considered recording a collection of poems instead of having a chapbook. It is a great idea. I record many things at home but the quality is less than wonderful. I do have voice recordings of poems up at Hecale and will be on a compilation put out by Outsider Writers.

OA: Who are some of your biggest literary influences?
AD: My original writing influence was my father. He used to write poetry when I was a child and it inspired me to start writing when I was 10 years old. I love reading the works of Willa Cather, John Steinbeck, Wallace Stegner, Pablo Neruda, Mary Oliver, Erica Jong, and Jack Gilbert. I read a large amount of work by my peers as well, namely Karl Koweski, Edward Churchouse, Miles J. Bell, William Taylor Jr, Rebecca Schumedja, Zachary C. Bush and MK Chavez.

OA: What's next for Aleathia Drehmer?
AD: Well, let’s see. I have several publications happening for the fall and I am actively shopping around my manuscript for a chapbook of poetry. I have been branching out and trying my hand at short fiction as practice for someday writing the “novel”. I will be attending the Jack Kerouac Festival in Lowell in October and then hopefully doing some tabling at the Buffalo Small Press Fair for Outsider Writers and Tainted Coffee Press. I am part of the staff at OW and will be continuing to help run roundtables. I just plan on keeping the pen moving and learning more about myself.

Bonus Questions:
OA: Coffee? If yes, what is your favorite type of coffee and where is your favorite coffee spot?
AD: I love coffee. Before I became a nurse, I used to sling Joe in Seattle. Any coffee from Africa is good in my book. I dig Kenya, Ethiopian Harrar and Yergecheffe, and Tanzanian Peaberry. I am also a lover of Americano’s and have been known to consume soy mochas in my day.

OA: Who are some of your favorite musicians currently? Does their music affect your writing in anyway?
AD: My music taste is all over the place, but I am really into Interpol, Ryan Adams, Norah Jones, Juliette & the Licks, Kaiser Chiefs, The White Stripes, Aretha Franklin, and Martha Wainwright. Music is very influential to my writing and I have music for my every mood. When I am writing a poem with a certain type of emotion, I choose music that will enhance that so I get flooded with feeling. Every happening in my life has a soundtrack.

For more infomation on Aleathia Drehmer please visit her website or her myspace page.

Wednesday, September 12, 2007

Artist of the Week


Jason Limon

It is not until the power goes out that we realize just how much we rely on electricity. From the refrigerator to the laptop to the television, we are virtually helpless with this mysterious power. Once it is taken away from we turn a substance called Alkaline to fill in the gaps, but soon the energy contained begins to fade. We sit there in darkness, lost and helpless waiting for illumination. You begin to wonder how electricity was first harnessed, what the first light bulb looked like, and who invented alkaline. These are the thoughts and the visions of San Antonio artist Jason Limon.
Jason has an extensive background in graphic design, but has decided to focus his attention on painting. He studied Fine art and Communication Art in San Antonio, and has participated in numerous show across the country. Next month he is coming to Chicago for the first time to participate in the grow show, "Source Materials" at the GARDENfresh Gallery.

Recently, Jason took some time out to answer a few of my questions.

Orange Alert (OA): How would you describe your work?
Jason Limon (JL): I use a lot of characters, figures and everyday objects to convey conceptual ideas. I was a graphic designer for a long time and I grew quite fond of typography so I can't help but enjoy using it in many pieces. I try to keep subdued colors, nothing too bright and distracting.



Orange Alert (OA): I love the way that you prepare your canvas with various layers of colors and bubbles and textures. How long due you typically spend preparing the canvas before you paint the actual images? What are some of the techniques that you use to create the desired look of the your backgrounds?
Jason Limon (JL): The amount of time spent on creating the canvas panels depends on how many individual pieces are needed for the whole painting. Typically for one it takes about 15-20 minutes to cut the pieces out and glue the canvas down. I wait about an hour or so to let them dry before priming them. From there I normally use about three or four layers of contrasting acrylic colors to get the desired effect. I then paint my images on them and then come back later to add more to the backgrounds.

Orange Alert (OA): I have noticed a couple of themes in your work, but electricity seems to be an interest of yours. Can you tell us about your fascination with electricity?
Jason Limon (JL): Yes, thank God for Ben Franklin's kite-flying experiment! Electricity is all around us. It makes everything go and it has a life of it's own. I have a fascination with vintage electrical objects. There were always so many electrical parts, switches and lights that made these old things come alive. Just the thought of all these odd looking objects working together to make a television glow and display a moving image bring many ideas to mind. Electricity is my favorite subject, but I try like to paint other objects and scenes in life as well.



Orange Alert (OA): Next month you will be coming to Chicago to take part in the Source Material show at GARDENfresh Gallery. Is this your first trip to Chicago? What might we except to see from you at that show?
Jason Limon (JL): I'm am very excited to personally see the other work in the group and to be able to meet new people. This will be my first trip to Chicago. It is a place I've always wanted to visit. If you've visited my website or Flickr page then you've probably seen the work already online. I look forward to seeing the responses of the gallery goers.

Orange Alert (OA): I see you have a Sketchel Shoulder Bag out from Jeremyville. I have noticed a lot of artists licensing their work or creating original images for products recently. What are you thoughts on this tend? Does this lessen the character of the piece or does it aid the artist in becoming more visible and well-known?
Jason Limon (JL): I did the Sketchel bag a little over a year ago. It was a fun project. I don't believe that having original art on other objects besides a framed canvas lessens the work. If anything it helps by letting a lot more people view the images. The bag was a great idea because everyday people will be able to view the work everywhere it goes: at the bus stop, on the escalator at the mall, in the cereal isle at the supermarket, the list is endless! It just seems today there are a bunch of opportunities for artists to do a whole lot more to get good exposure.

Orange Alert (OA): What's next for Jason Limon?
Jason Limon (JL): To keep on creating images mostly; more complex with deep thoughts. I do have a few sculptural ideas in mind that I've been wanting to try.

Bonus Questions:

Orange Alert (OA): Coffee? If yes what is your favorite type of coffee and where is your favorite coffee spot?
Jason Limon (JL): I don't drink coffee. Mountain Dew on the rocks works well for me. I like to sip it while surfing the web!

Orange Alert (OA): Do you listen to music while you work? Who are some of your favorite while painting and in general?
Jason Limon (JL): I like a variety of music: Soul, old school punk, some 80's hits, indie tunes. I've been listening to M. Ward recently, he's a musical genius and Ron Sexsmith. Good stuff to work to.
For more information on Jason Limon please visit his website or check out his flickr page.

Tuesday, September 11, 2007

Orange Alert's Mixtape Contest

I am very excited to announce, with the help of Illuminea, High Two Recordings and Sneak Attack Media, What to Wear During an Orange Alert's first ever Mixtape Contest!


Here is what you need to do:

1. Listen to "Homewrecker"(mp3) by Illuminea from their latest release "Out of Our Mouths"


2. Create a mixtape tracklisting built upon this song. This list must contain "Homewrecker" and be a minimum of 8 songs in length.

3. You can post your mixtape in the comments section of this post or e-mail it to orangealert31@gmail.com. If you post them in the comments section please leave an e-mail address so I can contact you if you win.

Here is what the winners will receive:

The first winner will receive "Out of Our Mouths" by Illuminea, an Illuminea T-shirt, and an Illuminea Poster!

There will also be additional winners who will receive other High Two releases.

This contest will end on Tuesday, September 25th and the winner will be drawn at random. If you need a little more inspiration here is "Sugaring"(mp3) from Illuminea, and you can also check out this site to learn from some "mixtape masters".

New Release Tuesday



Music:
Animal Collective - Strawberry Jam Listen to: Peacebone (mp3) (stream)
A.R.E. Weapons - Modern Mayhem Listen to: Hey Joey! (mp3)
Adrian Orange & Her Band - Adrian Orange & Her Band Listen to: You're My Home (mp3)
Black Lips - Good Bad Not Evil Listen to: Cold Hands (mp3)
C.O.C.O. - Play Drums + Bass
Dirty Projectors - Rise Above Listen to: No More (mp3)
Figurines - When The Deer Wore Blue Listen to: The Air We Breathe (mp3)
Film School - Hideout Listen to: Lectric (mp3)
Gang Gang Dance - RawWar Listen to: Oxygen Demo Riddim (mp3)
Go! Team - Proof Of Youth Listen to: Doing it Right (mp3) (stream)
Good Life - Help Wanted Nights Listen to: Heartbroke (mp3)
Hot Hot Heat - Happiness Ltd.
Shout Out Louds Our Ill Wills Impossible (mp3) (stream)
Taken by Trees Open Field Listen to: Lost and Found (mp3)
The Besnard Lakes Casino Nanaimo (single)
Kayne West - Graduation

DVD:

Monday, September 10, 2007

Monday Morning Mix

Every once and a while I get infected with a virus that brings on an unhealthy love of hip-hop. I am taking medications, but it has really affected this week's mix. Next to my normal indie rock selections you will find the likes of The Cool Kids, Aesop Rock, Lethal Bizzle, Copperpot and more. Please enjoy the System Error.

Artwork: "System Error" by Jackie Tileston

Sunday, September 09, 2007

Orange Alert's Music Minute

Who is Dawn Landes? Well, she came from Kentucky and she lives in NY and she’s been performing and recording with the musicians from Hem and The Earlies. She’s supported José Gonzalez, Suzanne Vega, Shannon Wright, Feist, Le Tigre and Andrew Bird. Oh, and she’s also a sound engineer—she’s already had the opportunity to record musicians like Philip Glass, Ryan Adams and Joseph Arthur. Dawn is currently on tour with Midlake. Her first formal release, Fireproof, will be released early 2008 (on Cooking Vinyl in the U.S. and Fargo in Europe), but in the meantime, we’ve got a track for you off of her self-released album, Dawn’s Music. Listen to: Suspicion (mp3) and Young Folks (PBJ Cover)(mp3)

When you are first starting out in the business it is important to have someone who respects and believes in what you are doing. Not everyone can find someone like that, but Willie Evans Jr. (aka Niam) has found Mr. Lif. In fact Niam recently put together a remix album for Mik and Akrobatik entitled Black Mega. He also released his first official solo album this month with the help of Rawkus Records. "Communication" is a digital album that can be purchased through his myspace page. Listen to: Communication (mp3) from Black Mega


Bob Cronin has long been my favorite "masher" or bootlegger or Dj or whatever you want to call what he does. He has been perfecting his blending skills for many years, and never ceases to amazing me with his new and inventive combinations. One of his latest mash-ups mixes 7L & Esoteric and Hott Butter, "Hott and Dumb" (mp3). Next month, BC will his first official album entitled "Strictly Mixed and Mashed" on Fork in Hand Records. Here is the info: DJ BC, the creator of the mashup albums THE BEASTLES, WU ORLEANS and GLASSBREAKS teams up with Boston's WARPED TOUR veterans, the ska/punk/reggae rockers BIG D AND THE KIDS TABLE to produce a full-length electro/reggae/punk/dancehall stomper of a record. 17 dope Big D remixes, dub cuts and mashups featuring the rhymes of WAYNE & WAX, with sun-drenched guest spots from RAW RAW and RASHORNE FOSTER. Plus an entire bonus disc of instrumentals, accapellas and more! FALL 2007 from FORK IN HAND RECORDS- don't sleep on this historic release!


This past week Daytrotter posted and session with one my favorite new bands of 2007, Yeasayer. This band is set to release their debut album "All Hour Cymbals" next month, and it appears that their goal is to personify all of the fears and doubts about the future of the world and civilization as we know it. Their debut single, 2080, takes place on January 1st, 2080 and it paints a dark ominous picture. It seems they have watched Children of Men one too many times. The bands sound is incredible rhythmic, echoing, full and graceful. Each of the four song from that Daytrotter session are perfect, and leave us all anticipating the October release. Listen to: Wait for Summer (Live from Daytrotter) (mp3)

The Peel Back: Consolidated "Play More Music"
Consolidated has always been had to define musically, but that is mostly because music is not their main focus. Musically this album was definitely a transition for them from more industrial roots to a more hip-hop influenced style. Yet, they have always been about the message, and in 1992 they had a lot to say. This album touches on gun control, racism, animal right, women's right, big business, no one is spared. In fact, their biggest downfall was always the over abundance of political jargon. Through out this album the insert small clips of people at their shows telling to shut-up and play more music. After this album Consolidated took a substantial break after this album and never fully returned in style in or content. It was this album that carried me through high school, and a lot of the words still ring true today. Listen to: Tool & Die (mp3) and A Day on the Green (mp3) and Veggie Beat Manifesto (mp3)

Saturday, September 08, 2007

The Watch List

Listening:

1. Telepathique - Sao Paulo, Brazil does it again with electro-rocker's Mylene and Theobaldo (aka DJ Periferico). This duo is trying to follow in the successful footsteps of CSS while carving out a few danceable details along the way. Listen to: Sex Drugs & Funk-n-Roll (mp3)
2. Lazarus - Trevor Montgomery has a voice that is really undeniable, and a member of Papercuts he doesn't always get his moment to shine. However, in Lazarus we get a full and dark dose of Trevor, and we are allowed to fully enjoy the moment. Their latest release "Hawk Medicine" is now available on Temporary Residence Limited.This is Lazarus first album written as a group and the result is something to be proud of. Listen to: The Sky of The Tall Sun (mp3)
3. Bottomless Pit - This is a newly formed band here in Chicago, and they put together a great release for the brand new label Comedy Minus One. Bottomless Pit was formed by ex-Silkworm members Tim Midgett and Andy Cohen, and longtime friends Chris Manfrin (Seam) and Brian Orchard (.22). Their debut "Hammer of the Gods" will be released on November 6th. Listen to: The Cardinal Movement (mp3)

Reading:
1. "Lifelike Baby Girls" by Jeff Landon - This is from the Summer edition of the Mississippi Review, and it is an interesting yet somewhat scary look into the mind of a high school girl.
2. "Yes" by Victoria Hannan - Oh my, I think my heart stopped for a second.
3. "America’s Guardian Myths" by Susan Faludi - This is an interesting piece about post-9-11 American values.

Wishing:
1. C.W. Stoneking T-Shirts - Yes that right folks, buy your very own C.W. Stoneking T-Shirt right here on Myspace. Printed on top quality American Apparel T-Shirts, and featuring the wonderful artwork of famed Amsterdam tattooed lady Angelique Houtkamp, the gypsy fortune teller warns..."Don't go dancin' down the Darktown Strutter's Ball"... There'll be trouble alright if you don't get yourself one of these beauties - Please specify size ( S, M, L, XL) AND if you want a Mens or Womens T-Shirt - $40
2. Manatee Sniffing Cake/Fish Sniffing Squid by Tao Lin - WHAT IS THIS? IT IS A TWO-SIDED THING OF PEOPLE SNIFFING THINGS, IT IS A LITTLE BIT POP-UP AND I WROTE MY NAME AND DATED IT UNDER THE MANATEE'S ASS - $7.89 (currently)


Getting:
1. Sonic Scope Quarterly Issue #10 "Paint it Black": The entire issue, covering art and photography is in black & white. It is a very interesting concept.
2. Goon #23 - Goon is a German Zine that is always publishing the highest content and nicest graphics. This month the feature Miranda July on the cover and also discuss the band Menomena. So if you can read German or would like to try check it out.
3. A New Paper Toy from Marshall Alexander - It looks like Marshall is going to make this a monthly thing, and I say keep them coming!

Anticipating:
1. Water Breaths: Gisela Insuaste at Northeastern Illinois University Fine Arts Gallery August 27 - October 5, 2007
2. Fixed Gear: (Kim Frieders) TONIGHT! Parts and Labor Collective presents over 20 local artists in Fixed Gear. This is my second show with Parts and Labor, who will be celebrating their one year anniversary soon. The space is a classic studio loft, and draws a substantial art crowd. I'm showing 5 smallish works and maybe a medium-to-large piece if there's enough room. Bring some libations! See the flyer or my exhibition page for details.
3. Intersections: A Reading From the Streets from RAGAD Quimby’s Bookstore: Saturday Sept. 22 with local writers Ben Tanzer (Lucky Man), Pete Coco, Scott Stealey, C.T. Ballentine, and Nick Ostdick.

Watching:
1. Miles J Bell encore performance with "In Line at The Baker's"
2. "Spiked Milkshakes" with Pigeon John from Dinner with the Band
3. A Place to Bury Strangers "To Fix the Gash in Your Head" (I could seriously listen to this song all day!)



Saturday Morning Cartoon

This morning while you enjoy your bowl of Post Sugar Sparkled Flakes watch this animated video from the forthcoming self-titled Little Dragon's album.

Twice





Friday, September 07, 2007

Band of the Week


Vivek Shraya


A musical partnership can be an explosive thing. The consistent back forth, the give and take, the I will add this and then you add that, it is truly magical when two create souls come together for a moment in time. Each on their own productive and effective, but together they form something bigger. Such is the partnership between Canadian musician Vivek Shraya and L.A. producer/singer/songwriter Meghan Toohey. After meeting through a mutual friend (the amazing in her right) Rachel Cantu, Vivek felt compelled to contact Meghan and share his vision for his fourth independently released album, "If We're Not Talking". A partnership was formed, and Vivek was now primed to pop, or should I say become pop.

The demos that Vivek sent of that day were raw, dark, electro-rock tracks that had a few elements of straight forward pop and of course Vivek's incredible voice and catchy lyrics, but something was missing. Meghan was able to add that something, and in the process help Vivek grow into the musician, and potential superstar, he is today.

Recently, Vivek was kind enough to answer a few of our questions.

Orange Alert (OA): "If We're Not Talking" is your first album working with Meghan Toohey. How was that relationship formed and what did she bring to the album?
Vivek Shraya (VS): I "met" Meghan Toohey via Rachael Cantu who I toured with in the fall of 2005. Meg had done an amazing remix for one of Cantu's songs so I contacted her via MySpace. We started emailing back and forth about my project and I started sending her my demos, along with solo-ed vocal and guitar tracks. She would then import the tracks into her Protools and build on them, electrofying them (synths, beats, gtrs, misc). We didnt actually officially meet until 5 months into the project, when we recorded the vocals in Boston! Meghan and I work really well together and I think the record is an accurate representation of the best of our own individual skills. I had met up with / sent the demos to several producers before Meg but she just *got* it. She is a genius. The demos on their own have more of a raw electro-rock sound but she just made everything pop.

"Your Name"





OA: I love the track "Your name", how did you come to work with Sara Quin? I see you have also worked with Tegan in the past, how far back does your relationship go with Tegan & Sara?
VS: I have known Tegan and Sara since the fall of 2003. They are amazing, inspiring and just so supportive. I have learned so much from them and it's such a thrill to watch this new record of theirs explode. Sara and I fooled around on Your Name when I was visiting Montreal in the spring of 06. She then laid down some keys and vocals and sent the track back to me. I loved the vocals so I asked her if she could redo them for the record, which she generously did, in the midst of their busy recording schedule no less. We liked what she had laid down so much we sent the track back to her and asked her to do more...and thats when the "LETS" and the "FIND" were born. Genius! They have such a great knack for interesting/poppy back up vocals. Even what Tegan did on The Alphabet (mp3). Never in a million years would I have come up with those parts! And that's precisely what's so exciting about collaborating with other artists.

OA: How do you transfer these new songs into a live performance? Also, I see you recently played LA, is there a broader tour of the states planned? Chicago?
VS: When I played in LA, Meg and I played with a full band because she is based out of there and has some connections but when I play solo its usually me and my iPod. I really want to tour more so I am working hard on it. Chicago is definitely on the list!

OA: Your recent cover of The White Stripes "7 Nation Army" (mp3) has created a lot of positive buzz. How did you and Meghan decide to cover that song? Are there any other songs that you would love to cover?
VS: I have never recorded a cover before though I tend to do live covers a lot. Meg and I talked about how fun it would be to do a cover in the vein of "If We're Not Talking" and went through a lot of potential candidates (Amy Winehouse, Arcade Fire, etc). Meg suggested Seven Nation Army and it just really lended itself to what we were going for. It's been great hearing all the postive response because you never know. The White Stripes are such a huge rock band with such a devoted following. Turning one of their biggest hits into a dance song was definitely unpredictable territory. That said, we are talking about doing an electro/dance Christmas joint in the winter sometime. Could be cheesy. Could be gold. Yet to be determined.

OA: I really enjoyed your recent remix for the Wintermitts. How do you approach a remix? Are there things that you add that make it a distinctive Vivek Shraya product?
VS: I had never actually done a remix prior to that one and really like the idea of remixing, getting into someone else's space and putting a different spin on it (kind of like a cover). Anyways, I approached them about that particular track because I always heard it a lot faster in my head. It seemed only fair that a track called "Shake it all off" would actually make you want to shake and as you can hear on the remix, I really built the song around that idea (the repitition of the "shake it"). I am not sure I have a distinctive remix style at this point but I hope to do a lot more remixing in the future.

OA: This is your fourth album, and all have been self-released. Do you have aspirations of being on record label or do you enjoy the freedom of being an independent artist?
VS: I definitely enjoy having 100% control over all areas of what I do but it would definitely be nice to have some help as far as marketing/ promotion, recording and touring are concerned. Labels, even indie labels, have the abilty to really get their artists out there and as a 100% independent artist, I am definitely a little bit more limited in certain respects.

OA: What's next for Vivek Shraya?
VS: have just started writing again, the first time in a year, so it's been good to get back into that headspace. I am also trying to plan out more shows in fall. I have been contacted by a label in Paris that has shown some interest and wants to help out with a tour out there, which would be amazing. Shot a video for Fevered in July (see the making of here) and hoping to have that out sometime soon. Just trying to keep busy and keep spreading the word.


Bonus Questions:
OA: Coffee? If yes, what is your favorite type of coffee and where is your favorite coffee spot?
VS: I suck. I dont drink coffee. But my favorite Haagen Dazs flavor is coffee...does that count?


If We're Not Talking
I Won't Envy (mp3)/Your Name/Fevered/Chemistry (mp3)/Power/NegativeOne/Scratch/If We're Not Talking/SOS

Check out the IWNT Demos:
Fevered (mp3)
Chemistry (mp3)
Power (mp3)


For more information on Vivek Shraya please visit his website and also check out his myspace page. To order your copy of "If We're Not Talking" go here.

Thursday, September 06, 2007

Writer's Corner


Miles J. Bell

There were two words that instantly came to mind when I first starting reading through the work of Miles J. Bell, wit and honesty. The remarkable thing about this English poet is that he combines the two with ease and with clarity. To put it simply, he can make you smile and make you think in the same line. This is an ability that will allow Miles to communicate to a variety of audience's and on any number of topics.

It has only been a few years since Miles decided shift his writing over to poetry, but it has been a very productive few years. Miles will run down the specifics in his interview, but I will say that he has released three chapbooks in the last three years, and is preparing to release his fourth with fellow Englishman Ed Churchouse. His most recent release, currently available through Verve Bath Press is entitled "Murder the darkness w/ laughter & stories". The cover was designed by Amanda Oaks.

Recently, Miles took some time out to answer a few of our questions.

Orange Alert (OA): I am amazed that you have only been writing for two or three years and already have three chapbooks and many other published pieces. What made you decide to start writing? How long did it take to get published once you started submitting your work?
Miles J. Bell (MJB): The 3 years has to be qualified, I guess. I wrote my first poem when I was 9 or 10, called “The Shark”, after watching the whole of Jaws, without sound, through the window of a electrical goods shop while my grandparents were off buying whatever grandparents buy. And I wrote songs between 16 and 32. But as it was difficult to get band members to play my stuff, I thought I’d return to poetry, as firstly I didn’t need anyone else’s help, and secondly as not having to fit the words to music gave me more freedom to write exactly as I liked. It wasn’t exactly a moment of clarity, just a new avenue to explore that I wandered into as a natural progression, out of a need to express myself.
I started writing in March 2004, and at first it was quite strictly iambic and rhyming, maybe due to all those years writing lyrics. I had my first poem accepted only 6 weeks after starting poetry as a “grown-up”, then I only had a couple more accepted in the next 18 months, maybe due to sending to the wrong places, maybe as I was learning how to do it and finding my own voice. Then I accidentally bumped into C. Allen Rearick on MySpace, who gave me several leads on the kind of e-zines and magazines who published the sort of stuff I was writing, and a whole new world seemed to open up to me. Since September 2005 I’ve done pretty well. I’m pretty good at keeping track of my poems, and I figure I’ve written about 210, submitted about 160, and I just had my 100th poem published. Silly to read too much into the figures, but I allowed myself the indulgence of a little pride at that landmark.

As for the chapbooks, I published the first on a friend’s record label, the second I made myself, and the third was done by Amanda Oaks, to whom I’m very grateful. Nobody’s accepted a manuscript of mine who I wasn’t already friends with. But getting them out there is the important thing, for me.

OA: Who are some of your biggest literary influences?
MJB: I used far too many words to answer the last questions, so I’ll make this short.
Walt Whitman, William Carlos Williams, Raymond Carver, Jack Kerouac, Jack Micheline, Carson McCullers, John Steinbeck, Frank O’Hara, S.A. Griffin, Todd Moore’s longer poems, Sylvia Plath, and it would be wrong to omit Bukowski – it’s become very fashionable to say how you don’t rate the old goat, but it was his writing more than any other that showed me poetry doesn’t have to be dusty and dry - plus a lot of the poets I’ve met online in the last couple of years.




OA: How did it feel to be invited to participate in the Guerrilla Poetics Project? What type of feedback have you received from your broadside, "Unlucky"?
MJB: It was an honour to have a poem of mine made into a broadside, especially as it was chosen by some fine poets. I have had little-to-no feedback about it, however. Luis Cuauhtemoc Berriozabal told me he enjoyed sticking that particular broadside in books, but it seems it’s not done to be a thing too full of praise for the other poets swimming the same waters. We’re all ego-maniacs with low self-esteem, don’t you know. But in the end it’s just me against the poem, endlessly.

OA: I noticed that you have had other writer's ( S.A. Griffin and Amanda Oaks) create very nice covers for your recent chapbooks. How important is the presentation of your poetry to you?
MJB: I’ve seen many chapbooks with really disappointing presentation and more-than-questionable punctuation. Obviously it’s important the poetry is good, but spending 6 months assembling a collection only to spend half an hour proof-reading and designing a cover can make it seem like the poetry was produced with a similar lack of care. Like dressing a newborn baby in a bin liner. I asked S.A. as I knew he would do something interesting having seen some of his collage stuff, and Amanda just did what she always does with her Words Dance magazine; she put a lot of love and care into the chap’s final look.

OA: What is your opinion of the current state of poetry? Is it thriving in an internet era? Is it being watered down by an overabundance of outlets ( i.e. blogs/myspace/lit zines, etc)? Is there an audience for the modern poet?
MJB: I have no solid opinion on the current state of poetry. There’s some good stuff, and a lot of crap. Both kinds are easier to find due to the web. You just have to sift through it. I suspect it was ever thus. Obviously the internet makes it easier to publish for any editor who wants to start a zine, and easier for the poets. It’s certainly nice to get acceptances or rejections quickly, and I’d probably never have got very far without the wonders of e-mail, MySpace, and so on. 99% of the poets I’ve met I’ll most likely never meet in person.

As for the overabundance of outlets, I don’t think so. What I write, I can’t send to many places. There have been times I’ve had poems to submit but nowhere to send them to.
Audience for modern poets? Not sure there’s ever been much of an audience for poets in any era. Maybe the 60s. But personally, an audience is nice but almost irrelevant. Once the poem’s out there, it’s gone and doesn’t really feel like mine any more. Posting poems on MySpace is slightly different, in that I get a little feedback. But I quite like the idea I’m never going to know what most people think of what I write.

OA: What is next for Miles J. Bell?
MJB: Poetry-wise, a split chap with Ed Churchouse, a fellow Englishman whose writing is as good as anything in the small press but who is widely unknown. The chap’s being released in the next month or so on The Audacious Art Experiment record label, who did my first chap, and it’s called “Everyone knows this is nowhere”. I also have a couple of other manuscripts to tout around, and I’m submitting a big collection for the Jack Micheline Memorial Book Contest through the Guild of Outsider Writers.

As for me personally, I’m planning a wonderful life with my girl and her little boy, and trying to get a job not involving fish – difficult for this area.

"Enough"




Bonus Questions:
OA: Coffee? If yes, what is your favorite type of coffee and where is your favorite coffee spot?
MJB: Coffee, yes yes yes. Nescafe, 2 spoons of coffee with milk & 3 sugars. At home, in front of the PC, in fine company. The outside world is overrated.

OA: Who are some of your favorite musicians currently? Does their music ever affect your work in anyway?
MJB: I do tend to buy books rather than records, but I listened to Tom Waits’ “Orphans” a lot when I bought it, and the last Dizzee Rascal album is good. I seem to have a record collection that’s been constant for years which I listen to cyclically. The Pixies, Blur, New Order, Daft Punk, Underworld, Dinosaur Jr, and Mr. Waits are among my faves. If I’m influenced at all by music it’s not in an obvious way, more being aware of what art at its best can evoke. I’d love to write a poem as atmospheric and indefinable as a Sigur Ros song. And if that’s too pretentious an answer, c’est la vie, mes petits papillons.

For more information Miles J. Bell visit his myspace page.

Wednesday, September 05, 2007

Artist of the Week


Breath of Life
Graphite, India ink, acrylic, acrylic polymer on arches paper

Austin Dodson
Have you ever look at a painting and wondered what the subjects had been doing before they were captured in this painting? What is their story, and how did they get to this point? With most pieces you may be able to draw some inference from the title or by looking closely at the surrounding or facial expressions, but that is not the case with Philly based artist Austin Dodson. When you visit Austin's website you get a little bit more then just a title, dimensions, and materials. For most of the pieces Austin has written a brief story containing a few details about the subject. For the viewer, this adds a whole new dimension the piece and leads to a better understanding of the artist is trying to convey.

Most of Austin's pieces focus on the human figure, and more specifically joyfulness in the human existence. He tends to use bright color to convey this joy, and adds different fabrics and patterns to his pieces. Austin is a 2004 graduate of the Pennsylvania Academy Of The Fine Arts, and has participated in many exhibitions since that time. He also works with several bands on cover art and promotional posters.
Recently, Austin took some time out to answer a few of our questions.



Sardonic Angel
pencil, inks, acrylic, lino cut on rives BFK

Orange Alert (OA): How would you describe your work?
Austin Dodson (AD): Emphasis on line quality and patterning with a sensibility toward ornamentation. Subject matter wise almost all my imagery revolves around the human figure and its expressive variances. I tend to depict my character's in a flattened backdrop that continues with or accentuates the formal aspects of what is happening in the figures. I use a variety of media such as pen and ink, acrylic, and fabric collage to achieve my desired end.

OA: The stories you tell about your pieces are nearly as fascinating as the pieces themselves, it really makes your work come alive. When are these stories formed? Have you thought about expanding them into short stories or even to full book length?
AD: The stories were written intently for the website. I had it in my mind that I wanted the narratives to move the imagery beyond what was inferred just within the picture. Once I sat down to write the stories they were each conceived of mostly on a whim through direct intuitive tapping; I asked myself what I imagined the character's to be doing, where they were coming from, what their back story was. The thought has occurred to me about expanding some of the narratives into their own short stories or turning it around and starting with the words first and making the imagery to fit the story.

OA: A common theme in your work seem to be the human face (with or without skin), but in particular children. What is it about the faces of children that lead you to create these beautiful pieces and stories?
AD: I'm most interested in depicting the birth right of humanity which I see as exaltation, joy, and inspiration. If it so happens that children recur thematically in my work than that to me suggests that children most often are getting the point; more frequently than the grown-up's.


Alice Comes Out To Play (Monday)
crayon, ink, acrylic, paper collage on arches

OA: In your mixed media pieces I have noticed there are a lot of different materials being utilized. One that caught my eye is crayon. Can you talk about the different materials that you use and how they tend to come together?
AD: There's a constant play back and forth with me and the materials. Sometimes a drawing will start as a pure graphite sketch or pen drawing and they'll stay there knowing that it needs no input from other media. Sometimes the foundations need developing so I'll add layers with ink washes that push back the original marks and maybe elucidate some chance imagery to re-direct it where I hadn't previously conceived. Sometimes I build the subject back out with ink or acrylic or collage materials, like paper or fabrics; as pattern or shape, to help bring in focus to the haphazard spills that the washes allow. By incorporating multi-media I'm broadening my parameter of tools available, acknowledging that I'm not for example, a pure oil painter, and saying that is all I'm going to use; I'm allowing the use of any material I have around me or that I can think of using, to aid the direction I want the picture to go. It's a matter of knowing what the certain material can do for me and me knowing what I want to do with the material.

OA: Is there a particular color pallet that you work from? Do you ever utilize color to create a mood or a general feeling in a piece?
AD: That is exactly my aim in using color. Color, more than any other formal quality, is the most intuitive and emotionally stirring. I'm drawn toward saturated, bright, rich colors, and I think those attributes lend themselves, pretty much across the board, to the ecstatic states I referred to earlier as being interested in depicting.

OA: What's next for Austin Dodson?
AD: 2007 has been a promising year for me with many new avenues rearing their heads and it's not over yet. I've been doing album artwork, designing flyer's, painting on guitar bodies, participating in exhibitions and craft shows, so it's going to be more of that and beyond. Interested parties can delve my website, http://www.austindodson.com/ for updated news and information.



Byron in Lil' Pete's
ink on arches

Bonus Questions:
OA: Coffee? If yes, what is your favorite type of coffee and where is your favorite coffee spo
AD: Yes I'm a regular morning coffee drinker. In the summer it's regular iced coffee with cream, no sugar and I like it at Cafe Loftus because it's close to work and they pump it with shots of espresso.

OA: Do you listen to music while you are creating? What are some of your favorites while painting and in general?
AD: Typically I prefer classical music when working because it makes me feel smart and mindful which I always appreciate and secondly it allows for sustained mind journeying when going the distance in the studio. Other than that I've been listening to John Zorn's film scores as well as Ennio Morricone's and bundles of Tori Amos lately. I found it fitting that you included Deerhoof's 'Matchbook Seeks Maniac' song on the play list that went along with your Monday Morning Mix for my 'Alice...' piece because that is my favorite song from that album of theirs.

For more information on Austin Dodson visit website.

Monday, September 03, 2007

New Release Tuesday

Music:
Calvin Harris - I Created Disco Listen to: I Created Disco (mp3)
Turzi - A Listen to: Acid Tast (mp3)
Clare & The Reasons - The Movie Listen to: Pluto (mp3)
Krukid - Arf-i-Can
Ferraby Lionheart - Catch the Brass Ring Listen to: Vermont Avenue (mp3)
Manu Chao - La Radiolina Listen to: Politik Kills (mp3)

DVD: